Art 391, Italian Architecture: Renaissance to Rococo
Syllabus

 

INTRODUCTION

1.         Rediscovery of the Antique; Beauty and Progress
Read Plinia’s Secret History of Art on classicism, classical beauty, linear perspective
Vitruvius, De Architetura (late C1 BC) and Roman architecture; Brunelleschi in Rome, c.1402 and later
Aquinas, Summa Theologica, c.1245; Alberti, De Re Aedificatoria, 1443-52; Ghiberti, Comentarii, c.1447-55; Brunelleschi and perspective


PART I: CHURCHES

The Central Plan

2.         Quiz 1 (classicism, classical beauty, linear perspective)

            Early Renaissance: Brunelleschi, Old Sacristy, S Lorenzo, Florence, 1421-28; Pazzi Chapel, Sta Croce, Florence, c.1433-36; Sta Maria degli Angeli, Florence, 1434; Alberti, S Sebastiano, Mantua, 1460
High Renaissance: Leonardo, Studies, c.1490; Bramante, Tempietto, S Pietro in Montorio, Rome, 1502-11, St Peter's, Rome, 1506-14

3.         Mannerism: Michelangelo, New Sacristy, S Lorenzo, Florence, 1519 ff; St Peter's, Rome, 1547-64; (Serlio, Architettura, vol 1, 1542, vol 5, 1551); Vignola, S Andrea in via Flaminia, Rome, 1544, S Anna dei Palafrenieri, Rome, 1572/3 ff

4.         Baroque: Longhena, Sta Maria della Salute, Venice, 1631-87; Pietro da Cortona, SS Martina e Luca, Rome, 1635-50; Borromini, S Carlo alle Quattro Fontane, Rome, 1638, S Ivo della Sapienza, Rome, 1642-50

5.         Bernini, S Andrea al Quirinale, Rome, 1658-70; Guarini, S Lorenzo, Turin, 1666-87, Chapel of the Holy Shroud, Turin, 1667-94
Rococo: Juvarra, Monastic Church at Superga, nr Turin, 1717-31; Sardi, Sta Maria del Rosario, Marino, 1720

6.         Quiz 2 and Discussion Day

 

The Long Plan and its Façade

7.         Early Renaissance: Brunelleschi, Sto Spirito, Florence, 1434-36; Alberti, Tempio Malatestiana (S Francesco), Rimini, 1450, Sta Maria Novella, façade, Florence, 1456-70, S Andrea Mantua, 1470
Mannerism: Palladio, S Giorgio Maggiore, Venice, 1566 ff; Vignola, Il Gesù church and projected façade, Rome, 1568 ff; Giacomo della Porta, Il Gesù façade, Rome, 1573 ff
Baroque: Maderno, Sta Susanna, façade, Rome, 1597-1603

8.         Mannerism: Michelangelo, Project for façade of S Lorenzo, Florence, 1517; Raphael, St Peter's (long plan), Rome, 1514 ff
Baroque: Maderno, St Peter's, nave and façade, Rome, 1636-12; Pietro da Cortona, Sta Maria della Pace, façade, Rome, 1656-57, Guarini, Project for unidentified or ideal church, Architettura civile, c.1670

            Rococo: Massari, Chiesa dei Gesuate, Venice, 1726-43; Galilei, S Giovanni Laterano, façade, Rome, 1732-36; Fuga, Sta Maria Maggiore, façade, Rome, 1741-43; Gregorini and Passalacqua, Sta Croce in Gerusalemme, façade, Rome, 1741-44

 

Oratories

9.         Baroque: Borromini, S Philippo Neri, Rome, 1637-43
Rococo: Passalacqua, SS Annunziata, Rome, 1744-6

 

Linear Perspective

10.        Early Renaissance: Bramante, Sta Maria Presso S Satiro, false choir, Milan, 1470s ff
High Renaissance: Michelangelo, Sistine Chapel ceiling, Vatican, Rome, 1508-10 Mannerism: Michelangelo Last Judgement, Sistine Chapel altar wall, Vatican, Rome, 1536-41; Correggio, Dome, S Giovanni Evangelista, Parma, 1520-24, Dome, Parma Cathedral, 1526-30
Baroque: Lanfranco, Dome, S Andrea della Valle, Rome, 1625-27; Bernini, Cornaro Chapel, Sta Maria della Vittoria, Rome, 1645-52; Baciccio, Vault, Il Gesù, Rome, 1676-79; Pozzo, Vault, S Ignazio, Rome, 1691-94

Rococo: Tiepolo, Translation of the Holy House, church of the Scalzi, Venice, 1744, Institution of the Rosary, church of the Gesuate, Venice

 

11.        Quiz 3 and Discussion Day


PART II: TOWN PLANNING

The Town and its Piazzas

12.        Renaissance: (Alberti, De Re Aedificatoria, 1443-52); (Filarete, Sforzinda, treatise, Milan, 1465); Sansovino, Piazza and Piazzetta, Venice, 1529; (Laurana, Ideal City, Urbino, c.1450-75); (Perugino, Giving the keys to St Peter, Sistine Chapel, Vatican, Rome, 1481)
Mannerism: Michelangelo, Campidoglio, Rome, 1538-64
Baroque: Bernini, St Peter's Piazza, Rome, 1656; Fontana, Project for St Peter's Piazza, Rome, 1694
Rococo: Raguzzini, Piazza di S Ignazio, 1727

 

Palaces

13.        Renaissance: Michelozzo, Palazzo Medici, Florence, 1444; Alberti, Palazzo Rucellai, Florence, c.1455-60; Bramante, House of Raphael (Palazzo Caprini), Rome, c.1512; (Venice) Palazzo Corner-Spinelli, Venice, c.1480
Mannerism: Romano, Palazzo Maccarani, Rome, c.1520, Giulio's own house, Mantua, c.1540; Sanmichele, Palazzo Bevilacqua, Verona, c.1530; Peruzzi, Palazzo Massimo delle Colonne, Rome, 1532 ff; Antonio da Sangallo & Michelangelo, Palazzo Farnese, Rome, 1541 ff;

14.        Baroque: Bernini, Palazzo Chigi-Odescalchi, Rome, 1664, Projects for the Louvre, 1664-66; Guarini, Palazzo Carignano, Turin, 1679
Rococo: Juvarra, Palazzo Madama, Turin, 1718-21; Valvassori, Palazzo Doria-Pamphili, Rome, 1730-35; Fuga, Palazzo Cenci-Bolognetti, Rome, c.1745, Palazzo della Consulta, Rome, 1732-7; Bolli, Palazzo Litta, façade, Milan, 1745

 

SPRING BREAK

 

Virtual Environments

15.        Renaissance (landscape and gardens): Mantegna, Camera Picta, Ducal Palace, Urbino, 1465-74
Baroque (apotheosis): Pietro da Cortona, Triumph of the Barberini, Palazzo Barberini, Rome, 1633-39; Maratta, Triumph of Clemency, Palazzo Altieri, Rome, 1670s; Giordano, Apotheosis of the Medici Dynasty, Palazzo Medici-Ricardi, Florence, 1682-83

Civic Buildings

16.        Renaissance: Antonio da Sangallo the Younger, La Zecca (Papal Mint), Rome, c.1525
Mannerism: Sansovino, La Zecca (Ducal Mint), Venice, 1537 ff, Library, Venice, 1537 ff; Palladio, The Basilica, Vicenza, 1549
Rococo: de Sanctis, Spanish Stairs, Rome, 1723-5; Salvi, Trevi Fountain, Rome, 1732-62

 

17.        Quiz 4 and Discussion Day


PART III: THE HUMANIST VILLA

Background

18.        Ovid, Fasti, 2-8 AD; Vergil, Eclogues, 42-37 BC; Pliny, Naturalis Historia, book 35, 79AD; Pompeiian wall paintings, 79 AD (excavations began 1748); Poussin, Landscape with the Burial of Phocion, 1648; Marsilio Ficino and the Platonic "Academy", Florence, c.1462-99

 

The Farmhouse

19a.      Renaissance: Guiliano da Sangallo, Villa Poggio a Caiano, 1480s
Mannerism: Sansovino, Villa Garzone, Pontecasale, c.1540; Palladio, Villa Maser, c.1560
Rococo: (Preti, Villa Pisani, Stra, 1725-56)

 

The Farmhouse's Virtual Environment (the walls)

19b.      Mannerism: Veronese, Villa Maser, 1560s
Baroque: Domenichino, Villa Androbrandini, Frascati, 1616-18
Rococo: Tiepolo, Villa Valmarana, Vicenza, 1757

 

The Grandiose

20.        High Renaissance: Bramante, Cortile Belvedere, Vatican, Rome, 1505
Mannerism: Raphael, Villa Madama, Rome, c.1516 ; Romano, Palazzo del Te, Mantua, 1525; Vignola, Villa Giulia, Rome, 1551; Ligorio, Villa d'Este, Rome, c.1565-72
Rococo: Juvarra, Royal Hunting Palace, Stupingi, 1729-33

 

The Suburbana

21.        Mannerism: Peruzzi, Villa Farnesina, Rome, 1509-11; Palladio, Villa Rotonda, Vicenza, c.1550; Ligorio, Casino di Pio IV, Vatican Gardens, Rome, 1559
Baroque: Pietro da Cortona, Villa Pigneto, Rome, 1629
Rococo: Marchionni, Villa Albani, Rome, 1748-62

 

The Suburbana's Virtual Environment (the ceiling)

22.        Renaissance: Peruzzi, Sala delle Prospettive, Villa Farnesina, 1509-11
Mannerism: Raphael, Sala di Psiche, Villa Farnesina, 1518-19
Baroque: Reni, Casino Rospigliosi, Rome, 1613-14; Guercino, Casino Ludovisi, Rome, 1621; Lanfranco, Villa Borghese, 1624-25

 

23.        Quiz 5 and Discussion Day

 

24-6.    Discussion Days